morst's PITOWN 2007 (pt 7)
Late Night Saturday, Sept 8, 2007
Well, it's been 6 months since the campout, so we're closer to the 2008 one than the 2007 one. I guess it's about time to wrap up the 2007 blog. . .
By now you all know the scheme for these "Porchstock" deals, late night jams after Pappy and Harriet's closes, lots of audience participation, everyone havin' a ball just hanging out, not wanting the fun to end. Saturday night's 'stock was no exception. The Hackensaw and Dark Meat boys were rippin' it up with Johnny and the rest by the time I got there after Jason Molina's set. I had not seen Dark Meat's show due to being indoors with the Gerg, Jon, Victorbands, so I was a little surprised to see the slide trombone as the featured solo instrument. As usual, my photos are blurry and weird, but they do kinda capture the moment, especially when the moment is blurry and weird!
The porchstock festivities seemed to end when Johnny took off, but then a little bit later, he came back for more...
That was when the Hickman-Morst duo made our debut! Johnny and I sang several tunes together, and had a good 'ol time!
Some of it even sounds halfway decent on my audio recording, and I know there is at least one video of it too. As usual, I didn't get to sleep until the sun was already up, so I have some neat photos of the sunrise.
After getting some ZZZ's, while waiting for the traveling crew to achieve critical mass, I went over to P&H's for a view of the aftermath, and to snap some photos of the posters and other decorations on the walls there.
When we finally motivated, we headed down the hill, and didn't get farther than the excellent Mexican restaurant. One very good meal later, we headed down the hill and back out I-10 to the Redlands area, back to the first annual Fi-Stock at Lo-Fi Studios in lovely Loma Linda CA - home of the baby with the baboon heart!
Fi-Stock began with Maria Baglien giving the group a tour of the studio where Johnny recorded Palmhenge, then a short set of solo acoustic tunes from Chris LeRoy. It continued with a recorded discussion and storytelling session featuring the crumbs in attendance, for use as a podcast for Chris's "Songbook" page, and finished with a sing-along session, much like the Porchstock tradition, but this was recorded in multitrack digital audio by Maria! Of couse I also ran my two-track recorder, since I had gotten this far. . . so I have some fun excerpts to share. . . Let's see. .
First some setlists:
Porchstock IIIc:
01. tuning & banter
02. Hold My Drink While I Kiss Your Girlfriend (Johnny)
03. Hot Wet Tight Bald Pussy (sung by Casey, song by David Allan Coe)
04. tuning & banter
05. Friends (Johnny)
06. tuning & banter
07. Down By The River
08. Wild Horses
09. Wish You Were Here
10. Wasted
11. God Save The Queen (fragment)
12. Brown Sugar
13. Down On The Corner
14. tuning & banter
15. Mr. Wrong
16. Another Song About The Rain
17. Sedated
18. The Shape I'm In
19. Dixie Chicken (fragment)
20. You Shook Me All Night Long
21. Sweet Home Alabama
22. The Man In Me
23. Eurotrash Girl
24. Casey needs a smoke
25. San Bernardino Boy
26. Mama Tried
27. goodnight Johnny
28. the mournful trombone
29. drinkin' and talkin'
30. Dixie Chicken
31. Dan, Dan, the banana nut bread man
32. Southern Cal
33. WKPA station ID
34. Lucky
35. jamming on Dylan
36. Tangled Up In Blue
37. If You See Her, Say Hello
And Fi-Stock I:
Chris solo acoustic:
My Old Kentucky Home
Close Call
Wandering Around
Last Train
Let It Drown
London Girl
London Girl (better version)
The Promise (debut?)
interactive interview:
PiTown tales
Cracker chat
Musical memories
etc etc
Chris and Crumbs:
Whole Lot Of Trouble
Another Song About The Rain
Lucky
Late Night Saturday, Sept 8, 2007
Well, it's been 6 months since the campout, so we're closer to the 2008 one than the 2007 one. I guess it's about time to wrap up the 2007 blog. . .
By now you all know the scheme for these "Porchstock" deals, late night jams after Pappy and Harriet's closes, lots of audience participation, everyone havin' a ball just hanging out, not wanting the fun to end. Saturday night's 'stock was no exception. The Hackensaw and Dark Meat boys were rippin' it up with Johnny and the rest by the time I got there after Jason Molina's set. I had not seen Dark Meat's show due to being indoors with the Gerg, Jon, Victorbands, so I was a little surprised to see the slide trombone as the featured solo instrument. As usual, my photos are blurry and weird, but they do kinda capture the moment, especially when the moment is blurry and weird!
The porchstock festivities seemed to end when Johnny took off, but then a little bit later, he came back for more...
That was when the Hickman-Morst duo made our debut! Johnny and I sang several tunes together, and had a good 'ol time!
Some of it even sounds halfway decent on my audio recording, and I know there is at least one video of it too. As usual, I didn't get to sleep until the sun was already up, so I have some neat photos of the sunrise.
After getting some ZZZ's, while waiting for the traveling crew to achieve critical mass, I went over to P&H's for a view of the aftermath, and to snap some photos of the posters and other decorations on the walls there.
When we finally motivated, we headed down the hill, and didn't get farther than the excellent Mexican restaurant. One very good meal later, we headed down the hill and back out I-10 to the Redlands area, back to the first annual Fi-Stock at Lo-Fi Studios in lovely Loma Linda CA - home of the baby with the baboon heart!
Fi-Stock began with Maria Baglien giving the group a tour of the studio where Johnny recorded Palmhenge, then a short set of solo acoustic tunes from Chris LeRoy. It continued with a recorded discussion and storytelling session featuring the crumbs in attendance, for use as a podcast for Chris's "Songbook" page, and finished with a sing-along session, much like the Porchstock tradition, but this was recorded in multitrack digital audio by Maria! Of couse I also ran my two-track recorder, since I had gotten this far. . . so I have some fun excerpts to share. . . Let's see. .
First some setlists:
Porchstock IIIc:
01. tuning & banter
02. Hold My Drink While I Kiss Your Girlfriend (Johnny)
03. Hot Wet Tight Bald Pussy (sung by Casey, song by David Allan Coe)
04. tuning & banter
05. Friends (Johnny)
06. tuning & banter
07. Down By The River
08. Wild Horses
09. Wish You Were Here
10. Wasted
11. God Save The Queen (fragment)
12. Brown Sugar
13. Down On The Corner
14. tuning & banter
15. Mr. Wrong
16. Another Song About The Rain
17. Sedated
18. The Shape I'm In
19. Dixie Chicken (fragment)
20. You Shook Me All Night Long
21. Sweet Home Alabama
22. The Man In Me
23. Eurotrash Girl
24. Casey needs a smoke
25. San Bernardino Boy
26. Mama Tried
27. goodnight Johnny
28. the mournful trombone
29. drinkin' and talkin'
30. Dixie Chicken
31. Dan, Dan, the banana nut bread man
32. Southern Cal
33. WKPA station ID
34. Lucky
35. jamming on Dylan
36. Tangled Up In Blue
37. If You See Her, Say Hello
And Fi-Stock I:
Chris solo acoustic:
My Old Kentucky Home
Close Call
Wandering Around
Last Train
Let It Drown
London Girl
London Girl (better version)
The Promise (debut?)
interactive interview:
PiTown tales
Cracker chat
Musical memories
etc etc
Chris and Crumbs:
Whole Lot Of Trouble
Another Song About The Rain
Lucky
Labels: Cracker, Dark Meat, Father Dan, Johnny Hickman, Pappy and Harriet's, Pioneertown, Pioneertown Motel, Pitown, Porchstock Chaos Cowboy
posted by morst at 1/14/2008 12:31:00 AM -
0 comments
morst's PITOWN 2007 (pt 6)
Saturday, Sept 8, 2007
Once again, Gram Rabbit has its lovers and its detractors- too much, or not enough!?! To be honest, after the enduring strength and beauty of the Victor, Gerg, and Jonathan solo sets, I took the opportunity to cut out back to my room at the PiTown Motel and make a sandwich, and dump my camera's memory chip into my roommate's laptop so I could shoot some more, and continue to enjoy the shows. I knew Gram Rabbit had gone on pretty late- evidently they took a LONG time to set up which, unfortunately, ate up a bunch of time on the outdoor stage. I didn't get a photo of their set, but recorded the audio. Last year, I didn't make much of an effort to get their permission to post their sets on archive.org. I mailed ted quinn a copy of their disc for him to give to Jesika Von Rabbit, and never heard back that they thought it was worth posting, so that was that. If a band doesn't want to have their sets posted on archive.org, I tend to get the impression that they aren't worth listening to. I'm sure that's not exactly the case, but if they really cared about their sound, each show should at least be worth listening to, and they should attract enough recordists to get a bunch of shows out there, in any case, so that the poor performances are outnumbered by the good one, and there will be something nice for fans to hear. In the absence of a 2006 set worth listening to, I took my opportunity for a break, and, though I did record the 2007 Gram Rabbit set, I have not played it back more than about twice. If you're interested, get in touch, I can send you a CD of it, but I'm not convinced it will make much of a splash on your stereo, let alone your ears. They are a very visual group. Cute to look at, but not really my cup of tea musically. YMMV, as we say on the inter-webbie-thingy.
Cracker- Now this was the anticipated biggus giggus of the weekend. They had announced in the press that they would be playing the entire Kerosene Hat album in it's entirety, and they did it. Unfortunately, by the time Gram Rabbit set up, played, and broke down, there was only time for Cracker to play the set as advertised, and then one encore song- One Fine Day. Funny stuff with the crowd counting the "blank tracks" in between the main portion and the originally hidden tracks, but much too short of set to really be considered a favorite of mine. Honestly, it was a little anti-climactic, considering that I had just heard them play 9 hot tunes and THEN the entire album in Racine just a couple weeks before as a Pitown warmup. I know there were very few people at McAuliffes Pub in Racine who attended the Pitown gig, and vice versa, but ask Steve© or Rock what they thought of the two sets, and I'll wager that they will tell ya that Ker-RACINE Hat was the hotter one. But that's OK, cause both recordings sound great. My buddy Steve Propp made a matrix mix of the soundboard and audience recordings of both the Crampout set and the Racine one, and they're well worth listening to. I don't know, maybe the Pitown version was a little tighter, but something about seeing a band you love in a small bar with 150 people in attendance is really cool. Sure there was some funky circuit-breaker breaking at the Racine gig, but that was actually pretty cool, since the band's stage amps stayed on, and so did the power to the soundboard.
Pitown Cracker Setlist: Kerosene Hat intro, Low, Movie Star, Get Off This, Kerosene Hat, Take Me Down To The Infirmary, Nostalgia, Sweet Potato, Sick Of Goodbyes, I Want Everything, Lonesome Johnny Blues, Let's Go For A Ride, Loser, Eurotrash Girl, I Ride My Bike, One Fine Day
Did I mention that I made a sticker out of Steve©'s oil painting, with Steve©'s help? Check it out and print it out on some sticker stock!
After the Cracker set ended, Jason Molina took the indoor stage, and played a very special solo set, featuring his voice and his Les Paul, and on the final song, his special guest, the lovely Page Campbell, from Dark Meat.
Magnolia Electric's archival team has not yet posted my recording of their set, or the Molina solo set on archive.org, but if you are able to download a BitTorrent, I posted the MECo set here and the Molina set here. Jason's list was as follows:
Lonesome Valley, Twilight Come, One Thin Dime, What Comes After The Blues, Bowery, I've Been Riding With The Ghost, The Farewell Transmission
(2009 update - this IS on the archive now - Click Here or if you prefer the MP3's, Click Here)
Jason's final song, Farewell Transmission, was an eerie finale to the official Crampout for 2007-
The whole place is dark
Every light on this side of the town
Suddenly it all went down
Now we’ll all be brothers of the fossil fire of the sun
Now we will all be sisters of the fossil blood of the moon
Someone must have set us up
Now they’ll be working in the cold grey rock, in the hot mill steam… in the concrete
In the sirens and the silences now all the great set up hearts - all at once start to beat
After tonight if you don’t want us to be a secret out of the past
I will resurrect it, I’ll have a good go at it
I’ll streak his blood across my beak and dust my feathers with his ashes
I can feel his ghost breathing down my back
I will try and know whatever I try, I will be gone but not forever
The real truth about it is no one gets it right
The real truth about it is we’re all supposed to try
There ain’t no end to the sands I’ve been trying to cross
The real truth about it is my kind of life’s no better off
If I’ve got the maps or if I’m lost
The real truth about it is there ain’t no end to the desert I’ll cross
I’ve really known that all along
Mama here comes midnight with the dead moon in its jaws
Must be the big star about to fall
Long dark blues
Will o the wisp
The big star is falling
Through the static and distance
A farewell transmission
Listen
As I write this, I am listening to a MECo show from 2006 and just found out about the tragic and untimely death of Evan Farrell, who played bass guitar for MECo during the fall of 2007. Evan died in a house fire on December 23rd, 2007.
Coming soon- Porchstock IIIc featuring trombonical enhancements, the Hickman-Morst duo, as well as the landmark Sunday funday Fi-Stock at Lo-Fi Studios in lovely Loma Linda CA - home of the baby with the baboon heart!
Saturday, Sept 8, 2007
Once again, Gram Rabbit has its lovers and its detractors- too much, or not enough!?! To be honest, after the enduring strength and beauty of the Victor, Gerg, and Jonathan solo sets, I took the opportunity to cut out back to my room at the PiTown Motel and make a sandwich, and dump my camera's memory chip into my roommate's laptop so I could shoot some more, and continue to enjoy the shows. I knew Gram Rabbit had gone on pretty late- evidently they took a LONG time to set up which, unfortunately, ate up a bunch of time on the outdoor stage. I didn't get a photo of their set, but recorded the audio. Last year, I didn't make much of an effort to get their permission to post their sets on archive.org. I mailed ted quinn a copy of their disc for him to give to Jesika Von Rabbit, and never heard back that they thought it was worth posting, so that was that. If a band doesn't want to have their sets posted on archive.org, I tend to get the impression that they aren't worth listening to. I'm sure that's not exactly the case, but if they really cared about their sound, each show should at least be worth listening to, and they should attract enough recordists to get a bunch of shows out there, in any case, so that the poor performances are outnumbered by the good one, and there will be something nice for fans to hear. In the absence of a 2006 set worth listening to, I took my opportunity for a break, and, though I did record the 2007 Gram Rabbit set, I have not played it back more than about twice. If you're interested, get in touch, I can send you a CD of it, but I'm not convinced it will make much of a splash on your stereo, let alone your ears. They are a very visual group. Cute to look at, but not really my cup of tea musically. YMMV, as we say on the inter-webbie-thingy.
Cracker- Now this was the anticipated biggus giggus of the weekend. They had announced in the press that they would be playing the entire Kerosene Hat album in it's entirety, and they did it. Unfortunately, by the time Gram Rabbit set up, played, and broke down, there was only time for Cracker to play the set as advertised, and then one encore song- One Fine Day. Funny stuff with the crowd counting the "blank tracks" in between the main portion and the originally hidden tracks, but much too short of set to really be considered a favorite of mine. Honestly, it was a little anti-climactic, considering that I had just heard them play 9 hot tunes and THEN the entire album in Racine just a couple weeks before as a Pitown warmup. I know there were very few people at McAuliffes Pub in Racine who attended the Pitown gig, and vice versa, but ask Steve© or Rock what they thought of the two sets, and I'll wager that they will tell ya that Ker-RACINE Hat was the hotter one. But that's OK, cause both recordings sound great. My buddy Steve Propp made a matrix mix of the soundboard and audience recordings of both the Crampout set and the Racine one, and they're well worth listening to. I don't know, maybe the Pitown version was a little tighter, but something about seeing a band you love in a small bar with 150 people in attendance is really cool. Sure there was some funky circuit-breaker breaking at the Racine gig, but that was actually pretty cool, since the band's stage amps stayed on, and so did the power to the soundboard.
Pitown Cracker Setlist: Kerosene Hat intro, Low, Movie Star, Get Off This, Kerosene Hat, Take Me Down To The Infirmary, Nostalgia, Sweet Potato, Sick Of Goodbyes, I Want Everything, Lonesome Johnny Blues, Let's Go For A Ride, Loser, Eurotrash Girl, I Ride My Bike, One Fine Day
Did I mention that I made a sticker out of Steve©'s oil painting, with Steve©'s help? Check it out and print it out on some sticker stock!
After the Cracker set ended, Jason Molina took the indoor stage, and played a very special solo set, featuring his voice and his Les Paul, and on the final song, his special guest, the lovely Page Campbell, from Dark Meat.
Magnolia Electric's archival team has not yet posted my recording of their set, or the Molina solo set on archive.org, but if you are able to download a BitTorrent, I posted the MECo set here and the Molina set here. Jason's list was as follows:
Lonesome Valley, Twilight Come, One Thin Dime, What Comes After The Blues, Bowery, I've Been Riding With The Ghost, The Farewell Transmission
(2009 update - this IS on the archive now - Click Here or if you prefer the MP3's, Click Here)
Jason's final song, Farewell Transmission, was an eerie finale to the official Crampout for 2007-
The whole place is dark
Every light on this side of the town
Suddenly it all went down
Now we’ll all be brothers of the fossil fire of the sun
Now we will all be sisters of the fossil blood of the moon
Someone must have set us up
Now they’ll be working in the cold grey rock, in the hot mill steam… in the concrete
In the sirens and the silences now all the great set up hearts - all at once start to beat
After tonight if you don’t want us to be a secret out of the past
I will resurrect it, I’ll have a good go at it
I’ll streak his blood across my beak and dust my feathers with his ashes
I can feel his ghost breathing down my back
I will try and know whatever I try, I will be gone but not forever
The real truth about it is no one gets it right
The real truth about it is we’re all supposed to try
There ain’t no end to the sands I’ve been trying to cross
The real truth about it is my kind of life’s no better off
If I’ve got the maps or if I’m lost
The real truth about it is there ain’t no end to the desert I’ll cross
I’ve really known that all along
Mama here comes midnight with the dead moon in its jaws
Must be the big star about to fall
Long dark blues
Will o the wisp
The big star is falling
Through the static and distance
A farewell transmission
Listen
As I write this, I am listening to a MECo show from 2006 and just found out about the tragic and untimely death of Evan Farrell, who played bass guitar for MECo during the fall of 2007. Evan died in a house fire on December 23rd, 2007.
Coming soon- Porchstock IIIc featuring trombonical enhancements, the Hickman-Morst duo, as well as the landmark Sunday funday Fi-Stock at Lo-Fi Studios in lovely Loma Linda CA - home of the baby with the baboon heart!
Labels: Cracker, Dark Meat, Evan Farrell, Gram Rabbit, Jason Molina, McAuliffe's Pub, Page Campbell, Pappy and Harriet's, Pioneertown, Racine
posted by morst at 1/05/2008 12:09:00 AM -
1 comments
morst's PITOWN 2007 (pt 5)
Saturday, Sept 8, 2007
I guess Saturday started sometime around late Friday night, somewhere around dawn, when the last few wakeful stragglers took a walk around Pioneertown, out to the post office, the ORIGINAL OK Corral, and to a peace circle in a resident's yard.
Recording Studio/Barn tour: There was talk of a tour of the barn where Kerosene Hat had been recorded. . . and it was true! A bunch of Crumbs and Hackensaw Boys got to go check out the big room!
The previous year, MTP and IAMA2 were given a tour with Bugs Salcido of the place, but it was neat to get inside and check it out for ourselves.
From there, we went over to the beer garden at Pappy and Harriet's for the "Band Singing" which was actually the band SIGNING- all the members of Cracker and Camper Van Beethoven were available to sign autographs and chit-chat a bit at this open event. This was one more bit of evidence that these bands are super-cool to their fans! They had a merch table set out, but you could bring in vintage stuff for them to sign too. People brought records, posters, old tour shirts, and other memorabilia for the guys to sign. ALSO Jonathan Segel's handprinted CD covers for HONEY arrived from artist Michael Wertz just in time, and were available for sale for the first time. I think I bought the first one, but since they were numbered, I chose #13/500 for myself. (The first ten went to Jon.)
The Outdoor Stage had a nice variety of acts performing under the desert sun, starting with Sixer, featuring Casey Martin on bass guitar. Casey is the on-again-off-again production manager and sound engineer for Camper and Cracker. Other than his turn on stage with Sixer, he spent the entire weekend mixing sound, mostly on the outdoor stage, but also doing some acts on the indoor one. The Sixer setlist was I'll take another drink so why don't you get yourself one?, Snake Oil Medecine, Truckstop Jesus, Ground Zero, Cedar St. Prison, and finishing with Sugar Water.
Next on the outdoor stage was the Darkmeat Family Band Galaxy. They are a WILD group, weird to look at with their faces all painted, and very complex-sounding, with lots of people on stage. Their set consisted of 5 songs: Freedom Ritual, Dead Man, No One Was There, One More Trip, and Three Eyes Open.
Meanwhile on the indoor stage, Sean Kennedy finally got a chance to play, having missed his slot on Friday. Here we show Sean in the obligatory "Horns" configuration. . .
Next up outdoors were the Hackensaw Boys from Charlottesville Virginia. They have toured with Camper and with David and Johnny's duo tours over the past couple years. Their setlist was Train 45, Dance Around, Blue Run, Radio, Gospel Plow, Baltimore, F.D.R., Oh, Girl, Blue-Eyed Girl, Too Much Time, Miner, Sweet Petunia, Cannonball, and finally Look Out Dog, Slow Down Train. I was glad they allow recording since I was indoors enjoying the Camper Van Beethoven members' solo sets!
Too much fun for one set of ears at the Pitown Crampout! Good thing I had some extra help with the recording gear! Jon Segel was kind enough to let me use his M-Audio Microtrack 2496 digital recorder to record the indoor stage sets featuring the music of the solo Campers.
First was Victor on guitar and vocals, with a set featuring songs from his older material, as well as a number of tunes off his 2007 release The Cock Crows At Sunrise: intro->Nocturne, Not Comin' Back, Sunday Morning Blues, Jack of Diamonds, The Southern Heights, Bittersweet, Motherless Child, Gulf Road, My Baby's Brown Hair, In Queen City The Girls Are Weeping. Joining Victor were Jon on Violin and Mandolin, Greg aka Gerg on the electric guitar, Chris Xefos on bass guitar, Kenny Margolis on accordian, and Andrew Griffin on drums.
Next, Victor switched to bass guitar and Greg "Gerg Rcoks" Lisher played an all-too-brief set of Feeling Cheap, By The Wayside, For Yourself, The Factory, and closing with I'm Sure You'd Understand. His new album TRAINS CHANGE was available at the merchandise booth at the campout, and is now available on his website at GregLisher.com.
The Camper solo sets finished up with Jonathan Segel's set: Orebro, Angels, I Love You, Greedy, Can't Help It, Enough Air, Gravity, Wonder Seeker, and Scars.
Personnel for the jes set was the same crew as Gerg's set, but with some different assignments:
Andrew Griffin - drums
Victor Krummenacher - bass
Greg Lisher - guitar
Jonathan Segel - guitar, vocals
Chris Xefos - guitar, keyboards, vocals
I did not hear much of Steven Brower or Teddy Quinn's set, but the minidisc managed to capture most of them. The minidisc recordings are the only things I have not really gotten through from this year's event, so the details of those sets will be forthcoming when I get a chance to do that.
That's all for this installment of the morst-blog, coming up next time will be Gram Rabbit, Cracker, Jason Molina, Porchstock IIIc featuring trombone solo after trombone solo. . . and some special stuff after that too. . .
Saturday, Sept 8, 2007
I guess Saturday started sometime around late Friday night, somewhere around dawn, when the last few wakeful stragglers took a walk around Pioneertown, out to the post office, the ORIGINAL OK Corral, and to a peace circle in a resident's yard.
Recording Studio/Barn tour: There was talk of a tour of the barn where Kerosene Hat had been recorded. . . and it was true! A bunch of Crumbs and Hackensaw Boys got to go check out the big room!
The previous year, MTP and IAMA2 were given a tour with Bugs Salcido of the place, but it was neat to get inside and check it out for ourselves. From there, we went over to the beer garden at Pappy and Harriet's for the "Band Singing" which was actually the band SIGNING- all the members of Cracker and Camper Van Beethoven were available to sign autographs and chit-chat a bit at this open event. This was one more bit of evidence that these bands are super-cool to their fans! They had a merch table set out, but you could bring in vintage stuff for them to sign too. People brought records, posters, old tour shirts, and other memorabilia for the guys to sign. ALSO Jonathan Segel's handprinted CD covers for HONEY arrived from artist Michael Wertz just in time, and were available for sale for the first time. I think I bought the first one, but since they were numbered, I chose #13/500 for myself. (The first ten went to Jon.)The Outdoor Stage had a nice variety of acts performing under the desert sun, starting with Sixer, featuring Casey Martin on bass guitar. Casey is the on-again-off-again production manager and sound engineer for Camper and Cracker. Other than his turn on stage with Sixer, he spent the entire weekend mixing sound, mostly on the outdoor stage, but also doing some acts on the indoor one. The Sixer setlist was I'll take another drink so why don't you get yourself one?, Snake Oil Medecine, Truckstop Jesus, Ground Zero, Cedar St. Prison, and finishing with Sugar Water.
Next on the outdoor stage was the Darkmeat Family Band Galaxy. They are a WILD group, weird to look at with their faces all painted, and very complex-sounding, with lots of people on stage. Their set consisted of 5 songs: Freedom Ritual, Dead Man, No One Was There, One More Trip, and Three Eyes Open.
Meanwhile on the indoor stage, Sean Kennedy finally got a chance to play, having missed his slot on Friday. Here we show Sean in the obligatory "Horns" configuration. . .
Next up outdoors were the Hackensaw Boys from Charlottesville Virginia. They have toured with Camper and with David and Johnny's duo tours over the past couple years. Their setlist was Train 45, Dance Around, Blue Run, Radio, Gospel Plow, Baltimore, F.D.R., Oh, Girl, Blue-Eyed Girl, Too Much Time, Miner, Sweet Petunia, Cannonball, and finally Look Out Dog, Slow Down Train. I was glad they allow recording since I was indoors enjoying the Camper Van Beethoven members' solo sets!
Too much fun for one set of ears at the Pitown Crampout! Good thing I had some extra help with the recording gear! Jon Segel was kind enough to let me use his M-Audio Microtrack 2496 digital recorder to record the indoor stage sets featuring the music of the solo Campers.
First was Victor on guitar and vocals, with a set featuring songs from his older material, as well as a number of tunes off his 2007 release The Cock Crows At Sunrise: intro->Nocturne, Not Comin' Back, Sunday Morning Blues, Jack of Diamonds, The Southern Heights, Bittersweet, Motherless Child, Gulf Road, My Baby's Brown Hair, In Queen City The Girls Are Weeping. Joining Victor were Jon on Violin and Mandolin, Greg aka Gerg on the electric guitar, Chris Xefos on bass guitar, Kenny Margolis on accordian, and Andrew Griffin on drums.
Next, Victor switched to bass guitar and Greg "Gerg Rcoks" Lisher played an all-too-brief set of Feeling Cheap, By The Wayside, For Yourself, The Factory, and closing with I'm Sure You'd Understand. His new album TRAINS CHANGE was available at the merchandise booth at the campout, and is now available on his website at GregLisher.com.
The Camper solo sets finished up with Jonathan Segel's set: Orebro, Angels, I Love You, Greedy, Can't Help It, Enough Air, Gravity, Wonder Seeker, and Scars.
Personnel for the jes set was the same crew as Gerg's set, but with some different assignments:
Andrew Griffin - drums
Victor Krummenacher - bass
Greg Lisher - guitar
Jonathan Segel - guitar, vocals
Chris Xefos - guitar, keyboards, vocals
I did not hear much of Steven Brower or Teddy Quinn's set, but the minidisc managed to capture most of them. The minidisc recordings are the only things I have not really gotten through from this year's event, so the details of those sets will be forthcoming when I get a chance to do that.
That's all for this installment of the morst-blog, coming up next time will be Gram Rabbit, Cracker, Jason Molina, Porchstock IIIc featuring trombone solo after trombone solo. . . and some special stuff after that too. . .
Labels: Camper Van Beethoven, Casey Martin, Chris Xefos, Cracker, Dark Meat, Gerg Lisher, Gerg Rcoks, Greg Lisher, Hackensaw Boys, Jonathan Segel, Kenny Margolis, Pioneertown, Sixer, Victor Krummenacher
posted by morst at 12/13/2007 11:12:00 PM -
0 comments